Today's vast amount of streaming and video conferencing on the Internet lacks one aspect of musical fun and that's what this course is about: high-quality, near-synchronous musical collaboration. Under the right conditions, the Internet can be used for ultra-low-latency, uncompressed sound transmission. The course teaches open-source (free) techniques for setting up city-to-city studio-to-studio audio links. Distributed rehearsing, production and split ensemble concerts are the goal. Setting up such links and debugging them requires knowledge of network protocols, network audio issues and some ear training.
Course runs October 4, 2016 - February 7, 2017
Session 1: Overview
Overview of Online Jamming and Concert Technology
Session 2: Basics And Setup
Basics: Network protocols, audio signals + soundcards and network audio.
Session 3: Jacktrip Application + Connection
Things that go wrong with Jacktrip: Network & Audio. P2P Sessions and Multi-site setups.
Session 4: Debugging
Debug examples of typical problems.
Session 5: Polish And Practice
Polish techniques and spawn more practice sessions.
Session 6: Future
Future of the art and practice of network audio, alternative platforms for network audio.
Chris Chafe, Professor of Music and Director of CCRMA
Chris Chafe is a composer, improviser, and cellist, developing much of his music alongside computer-based research. He is Director of Stanford University's Center for Computer Research in Music and Acoustics (CCRMA). At IRCAM (Paris) and The Banff Centre (Alberta), he pursued methods for digital synthesis, music performance, and real-time internet collaboration. CCRMA's SoundWIRE project involves live concertizing with musicians the world over. Online collaboration software including jacktrip and research into latency factors continue to evolve. An active performer either on the net or physically present, his music reaches audiences in dozens of countries and sometimes at novel venues. A simultaneous five-country concert was hosted at the United Nations in 2009. Chafe's works are available from Centaur Records and various online media. Gallery and museum music installations are into their second decade with "musifications" resulting from collaborations with artists, scientists and MD's. Recent work includes the Brain Stethoscope project, PolarTide for the 2013 Venice Biennale, Tomato Quintet for the transLife:media Festival at the National Art Museum of China and Sun Shot played by the horns of large ships in the port of St. Johns, Newfoundland.
Equipment: Computer (running Linux, OS X, or Windows) with installation privileges
Software: JackTrip (plus Jack) and Audacity
Wired Internet: at least 5Mbps download and upload