Physics-Based Sound Synthesis for Games and Interactive Systems

SOHS-MUSIC0002

Stanford School of Humanities and Sciences


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Description

This course introduces the basics of Digital Signal Processing and computational acoustics, motivated by the vibrational physics of real-world objects and systems. We will build from a simple mass-spring and pendulum to demonstrate oscillation, how to simulate those systems in the computer, and also prove that simple oscillation behaves as a sine wave. From that we move to plucked strings and struck bars, showing both solutions as combined traveling waves and combined sine wave harmonics. We continue to build and simulate more complex systems containing many vibrating objects and resonators (mandolin, drum, plate), and also learn how to simulate echos and room reverberation.  Through this process,  we will learn about digital signals, filters, oscillators, harmonics, spectral analysis, linear and non-linear systems, particle models, and all the necessary building blocks to synthesize essentially any sound. The free open-source software provided make it possible for anyone to use physical models in their art-making, game or movie sound, or any other application.

Schedule

Session 1: The Time Domain: Sound, Digital Audio, PCM Files, Noise Vs. Pitch, A Hint Of Spectra 
a) Sound in Air, Traveling Waves b) Digital Audio, Sampling, Quantization, Aliasing c) Soundfiles, Wavetables, Manipulating PCM d) Pitch (vs. Noise), Spectral Analysis 0.1 e) Time-domain Pitch/Noise Detection: ZeroXings, AMDF, Autocorrelation
 
Session 2: Physics, Oscillators, Sines & Spectra, Spectral/Additive Synthesis 
a) Mass-Spring-Damper system, also simple Pendulum b) Fourier analysis/synthesis, Spectrum Analysis 1.0 c) More on additive Sine-wave synthesis
 
Session 3: Digital Filters, Modal Synthesis 
a) Digital Filters, Finite Impulse Response (FIR) b) Linearity, Time-invariance, Convolution c) Infinite Impulse Response (IIR) Digital Filters d) BiQuad Resonator Filter, Modal Synthesis
 
Session 4: Physical Modeling Synthesis: 1D Systems 
a) 1-D systems, Strings, Modal (Fourier) Solution b) Strings II: Waveguide (D'Alembert) Solution c) 1-D systems, Bars, Tubes, solutions d) Advanced Waveguide Synthesis for 1-D systems
 
Session 5: Physical Modeling II: 2 And 3-D Systems 
a) 2-D systems, plates, drums, higher-order modes Fourier (Sine and/or Modal) Solutions, Waveguide Solutions b) 3-D systems, rooms, resonators, Meshes, Waveguide synthesis c) Resonator/Modal view and solution of 3-D systems Pop bottles and other lumped resonators
 
Session 6: Subtractive Synthesis, Vocal Sounds And Models 
a)  Subtractive Synthesis, Voice Synthesis, Formants b) Linear Prediction, LPC c) FOFs d) FM Synthesis: Horns, Bells, Voices
 
Session 7: Grains, Particles And Statistical Models 
a) Wavelets (just for completeness) b) Granular Synthesis c) Particle Models, Statistical Modal Synthesis d) Wind, Water, Surf, and Other Whooshing Sounds
 
Session 8: Extending And Refining Physical Synthesis Models 
a) Waveshaping Synthesis, Distortion Modeling b) Time-Varying Systems c) Stiffness, All-Pass Filters, Banded Waveguides d) Commuted Synthesis e) JULIUS on KS, strings, demos
 
Session 9: Tying It All Together: Applications, Sonification, Interactions, And Control 
a) Scanned Synthesis b)  Don't forget the laptop!!! SMELT:   c) Controlling Synthesis with game controllers (Wii, mobile TouchOSC, more) d) Walking Synthesis, a complete system e) Procedural Audio: Driving synthesis from process, game state, etc. f) Data set Sonification

Instructors

Perry R. Cook, Emeritus Professor of Computer Science (also Music) at Princeton University, founding advisor/consultant to social music company SMule, and consulting professor at CalArts, Stanford CCRMA, and University of Arizona

Julius O. Smith, rPofessor of music and (by courtesy) electrical engineering, CCRMA, Stanford University. 

002 Online, Kadenze

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Delivery Option:
Online
Fees:
Online Course Free

This course may not currently be available to learners in some states and territories.